FutureSession: Atmospheric Memory

Posted by on Aug 21, 2019 in Event

FutureSession: Atmospheric Memory. I recently applied for the FutureSession bursary as a means to escape the solitary confines of my studio and be intellectually stimulated by the latest tech. savvy artwork commissioned by FutureEverything, Manchester UK. The theme of the FutureSession concerned ‘Atmospheric Memory‘ an installation by the Mexican artist Rafael Lorenza-Hemmer. The session began with a presentation […]

Visible-Bits-Audible-Bytes 2016

Moiré screening at Visible Bits, Audible Bytes 2016 February Wed 17 Feb. at 6.30pm, Phoenix Independent Cinema, Leicester UK.

Synchresis Program 16

Synchresis Programs 2015 Synchresis_P16s

Foreign Tongues – Live Coded Visualisation for String Quartet.

Working in collaboration with instrumental composer Daniel Kidane (PhD candidate at the Guildhall School of Music, London) on his piece ‘Foreign Tongues’ for string quartet. I m producing a dynamic graphic score that utilises cross-media practice of visual computer code. Performing alongside musicians from the London Symphony Orchestra (LSO) using a custom built program made with […]


Posted by on Jul 9, 2015 in audio-visual

  Rehearsing in Manchester with the EMS VCS3 synthesizer in preparation for the xCoax 2015 conference. The conference proceedings xcoax 2015. Putney live performance @ Xcoax Conference 2015. Ricardo Climent (live game-audio engines) and Mark Pilkington (1969 VCS3) from Wunderbar Lab Berlin on Vimeo.  

Howzat: An Appeal for Nature

Posted by on Jun 26, 2014 in soundscape

Ecology and nature conservation view sound as an intrinsic component of the landscape. With this idea in mind,’Howzat: An Appeal for Nature’ is a soundscape composition that studies the rural soundscape of Atherton Wildlife and Nature Meadow, Lancashire, UK. The piece brings attention to how soundscapes continuously transform through space and time. Seen as a complex […]

Foof 8.1 – Shortlisted for ‘Condit’ Electroacoustic Concert in Argentina 2014

Posted by on Mar 16, 2014 in electroacoustic, Multi-channel

 Foof  8.1 Multi-channel composition that derives its sonic content from analog synthesisers and redundant audio technologies. The piece was composed at Thought Universe Studio, Manchester and finally completed at Lancaster University. The piece was judged and shortlisted by Jonty Harrison, Dennis Smalley and José Rafael Subía Valdez for the conDiT-Akousmatikon electroacoustic concert in Agentina. The piece […]

Dr. Ricardo Climent – Sound Mapping and Metadata in 3D Virtual Environments.

Posted by on Mar 7, 2014 in Guest Lectures

Title: Interactive Sound Mapping and Metadata in 3D Virtual Environments. Dr Ricardo Climent, The University of Manchester [MUSIC]. Director of Composition and the NOVARS Research Centre. Dr. Ricardo Climent was invited to talk with music students at Lancaster University. His lectured raised an perceptual awareness to the primacy of the ear in order to question visual dominance. By using […]

‘Mesh’ DIEM Electronic Media Project 2013

Posted by on Dec 8, 2013 in Lectures 2015

In October 2013, I was lucky enough to take part in the 5x5x15 Electronic Media Project at DIEM (Danish Institue of Electronic Music) at the Royal Academy of Music, Aarhus, Denmark. The project commissioned five visual artist’s to collaborate with five composers currently studying at DIEM. I worked with Sebastian Edin a Swedish composer on composing a […]

SonicInterMedia/NOVARS 2013

Posted by on Oct 4, 2013 in Lectures 2015

Had a fantastic time visiting ARS Electronica and the Anton Bruckner PrivatunUniverstat in Linz, Austria 13th – 16th October, 2013. I was there to screen my audio-visual composition Birth at ‘Deep Space’ within the ARS Electronica building. The venue features a ultra-high-definition imagery projection system in 16×9-meter format combined with a multi-channel sound system. The […]